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April 23rd, 2004, 05:57 PM
#1
Inactive Member
Hangin out all the time is the scene in N.Y.
The more you're seen, the more people think of you. It's pretty much how hollywood parties work. It's expensive to do it, but it has to be done.
This is why alot of musicians leave N.Y after awhile, because it can burn you out.
I'm not into the hang scene that much. It's not my personality and I can do it for couple weeks and then get pissed that I'm not working on my studio or my own music.
I turn down a lot of work because I just do what I want since I have a studio and my own band. I see guys crash and burn continuosly because of the fast lifestyle and I prefer to hang in there for the long haul. It's been 9 years and i've seen and done a lot.
The reason you'll see all those studio guys in the same room (from another post) is because they want to be seen. Simple as that.
I'm so glad Keith Carlock got the Sting gig. He worked so hard. He was the lucky one and really deserved it.
-So. hanging out and meeting people and having a good attitude are the key if you want to get lots of work. Also, you better be ready to make the leader and band sound good!
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April 23rd, 2004, 06:58 PM
#2
Inactive Member
Doing 'GB' and 'Jobbing'. Everyone is
always doing pick-up gigs. While they
may sound boring to some, the fact is
that even heavy players do them. Word
gets around.
Be a nice guy. Be a fair guy. Be a prompt
and conscientious guy and LISTEN and
you'll be surprised at how things start
to happen.
[img]cool.gif[/img]
<font color="#a62a2a" size="1">[ April 23, 2004 03:59 PM: Message edited by: peter c ]</font>
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April 23rd, 2004, 07:41 PM
#3
Inactive Member
I just love this forum for all of the knowledge and wisdom that is shared. It is true attitude=work. Check the ego at the door. Show your prowess and musicianship on the band stand! Let your talents and abilities as a musician speak for you and you will write volumes.<marquee>"Keep It In The Pocket" PT.</marquee>
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April 23rd, 2004, 08:10 PM
#4
Inactive Member
Andy, this is the order:
Technique, then, gear, and then, buying some lottery tickets and hope for the best [img]tongue.gif[/img] [img]biggrin.gif[/img] .
Seriously, music industry is a matter of public relations, I am like Blake, I don't like to hang to much, and I try to let the playing do the talking, and that usually work with the musicians, but most of my work (at least the better paid!!) are for artist that can't find the difference between Vinnie, and a 15 year old student!.
They want someone that they can feel secure, so a lot of times they choose the guys that are more confident or have more "personality". There is a fine line between transmit these confidence, without being arrogant, and IMO, finding these balance could hepl alot to get some gigs.
And if you can twirl the sticks is even better [img]graemlins/shhh.gif[/img] [img]redface.gif[/img]
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April 23rd, 2004, 08:12 PM
#5
Inactive Member
Excellent posts, people...
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April 23rd, 2004, 10:17 PM
#6
Inactive Member
Andy,
I would suggest a free clinical type deal that you can do to get your name out there among the "people" could reap nice dividends. For example, I met a blues guitarist while going to get something from my wives car. He was going to play at my wife's school. He played a tune and then we talked about doing some playing together, blah, blah. The point is that the freebie got him a possible new opportunity, as I am often looking to employ musicians when mine cannot show up. I was inspired and thought I might do the same with the drums. Who knows what musical parents are lurking around!
Just a thought.
Take Care. F.S.
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April 23rd, 2004, 11:13 PM
#7
Inactive Member
Frank I meant to compliment you a few days ago on your playing in the your stuff thread and I forgot. You are a really tasty and musical drummer. PT.
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April 23rd, 2004, 11:28 PM
#8
Inactive Member
Pocketime-
Thank you for your kind words. I sincerely appreciate them, as they are timely considering how I felt about my playing last night!! Thanks again.
Take Care. F.S.
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April 24th, 2004, 03:07 AM
#9
Inactive Member
Okay, we're all into developing our technique and having the best sounding gear. So, what's next? Getting the gig!
What has worked for you guys and gals regarding networking and keeping a steady flow of work?
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April 26th, 2004, 04:20 PM
#10
Inactive Member
Blake when you mean "Hanging Around", do you mean: go to jazz clubs everyday and so people notice you everytime, or do you mean the Jam Session Aspect?
Else everything is clear from what you've posted, nice post!
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